Descriptions:
Shunto Konno, principal trombonist of the Sendai Philharmonic Orchestra, is the first current college of music student to become a member of the Sendai Philharmonic Orchestra. Moreover, he is the youngest musician in the history of the orchestra and attracts attention. This is an interview with Umejima’s announcer. At the beginning of September, another concert of the Sendai Philharmonic Orchestra took place in the Aoba district of Sendai. On this day, symphonies by Mozart and Tchaikovsky were performed under the direction of Kenichiro Kobayashi, also known as “Kobaken,” a world-renowned conductor known as the “Maestro of Fire.” Among them, the main trombonist is Shunto Konno (22 years old), the youngest member of the Sendai Philharmonic. Currently a fourth year student at Tokyo University of the Arts. For the first time in the orchestra’s nearly 50-year history, a current music college student has become a member of the Sendai Philharmonic. Mr. Konno is originally from Iwaki City, Fukushima Prefecture. He currently lives in Izumi County and is diligently involved in music activities. I started playing the trombone when I was 8 years old. It all started when I joined the brass band in elementary school. Having honed his skills as a trombonist in a brass band before high school, he attended Tokyo University of the Arts with the goal of becoming a professional musician. At age 19, he auditioned for the Sendai Philharmonic Orchestra as “the youngest person in history” and began his professional career. Many professional musicians practice at home with soundproofing equipment, but Konno, who is also a student, does not have such equipment at home and says he practices mostly at karaoke shops. In fact, the store owner who supports Mr. Konno allows him to use it for free during pre-business hours. Hayato Konno (22) “I’m very happy and it’s really encouraging.” “Ever since I was little, I went to see the Sendai Philharmonic Orchestra when they came to perform in Iwaki (my hometown), so I admire them a lot.” Question: How did you feel when you were selected as a participant? “It didn’t feel real and I was like, ‘Really?’ I was very nervous at first, but after the concert I felt like I could be here because of the response from the audience. the youngest, so I hope I can tackle various challenges while I’m still fresh and develop Sendai’s music culture.” The youngest member of the group, Konno, is supported by those around him. Hiroaki Mizuno, librarian (manager): “Everyone is rooting for him. We exchange ideas about how things should be done.” Seima Urata, main trumpet player: “He is really wonderful, so instead of raising him. , we treat him as an equal. On the contrary, I feel like I need to work harder.” Bass trombone Mamoru Yamada: “I’m still young, so as I get older, I’ll absorb a lot. I hope he becomes famous and I want him to become a great musician.” On the day of the next concert. As our turn approaches, we continue to make adjustments until the last minute. Hayato Konno (22) Question: Do you get nervous before performing? “I don’t do this very often, I want to enjoy the game and convey to the public the joy of being able to work with Kobaken (Kenichiro Kobayashi).” On this day, “Maestro of Fire” Kenichiro. Kobayashi will conduct. Tickets are sold out. The full audience welcomes the orchestra. The performance will be Tchaikovsky’s Symphony No. 5. The trombone also plays an important role. In response to Maestro of Fire’s passionate conducting, the Sendai Philharmonic delivered an impressive performance. To the endless applause of the packed hall, Maestro Kenichiro Kobayashi responds to the audience with polite praise for each member of the orchestra. After the performance, we went to see off the audience – a specialty of the Sendai Philharmonic. Every word a client says will serve as inspiration for Mr. Konno’s future endeavors. Spectator at a regular concert: “I couldn’t stop crying at the end.” “I couldn’t help but say bravo. This is my first time. This is truly an amazing performance.” Konno. is still in his infancy as a professional orchestral player. On the other hand, expectations from him as a member of the Sendai Philharmonic are rising. Accompanist Yukihiro Nishimoto: “Even though he is young, I feel his leadership, and I feel his sound as a soloist from the accompanist’s seat, so I think there is hope for the performance.” Masataka Agatsuma, general manager of the business department: “Reliable and delicious, it all comes down to those two things.” I think it’s great that he has great tone at such a young age. I hope he can become a leading member of the orchestra that we can be proud of. peace and loved by citizens.” Mr. Konno began his career as a professional player in the Tohoku region, where he grew up. I responded to the staff’s sincere feelings with a smile. “Don’t pull yourself out. Stay in Sendai forever.” “Yes. Be prepared to bury your bones.”